
Onionhead, it turns out, is not a new REM tribute band, but a reunion show of an old REM tribute band that existed roughly sometime between Flipside and the Vapor Rhinos, if you are a student of Dean Owen Band History. I came on the scene during Vapor Rhinos, the Al-Qaeda band for stuffed animals. Every show ended with multiple beheadings and a snowstorm of stuffing. Those were great days, when bands actually put on shows. When they wore costumes and makeup and made entrances.
The occasion was Owen's 43rd birthday (how can that be?) and the 16th anniversary of Onionhead, which excellently represented the REM catalog. It's good to see a man in eyeliner and mascara again. I have so missed that. Owen combined that with a suit, while the rest of the band did nothing in particular costume-wise. I thoroughly enjoyed it and regret I couldn't stay for the second set, but as is often the case with musicians, if my husband isn't playing, my husband isn't staying.
Tonight I dropped into Bleu Bistro for one set of Delilah Jones and to check on my husband who was staying for their whole show because he was running sound. This is a great room for bands because they've got their own spacious corner in the back of the bar. I dislike bars that put the band upfront, right next to the door, so every time someone comes in, they look like a guest vocalist. Bleu Bistro also does not have televisions showing soundless sports hanging over the band's head. It's a square room, so every seat can see fairly well, and there was a cool sofa area, although most of the people there were canoodling.
Delilah Jones does all Dead, including songs the Grateful Dead covered and that's all I can say since I am only vaguely familiar with the Dead. I do know, though, that any Dead cover band will always have an audience who will be there for the music; there will always be certain songs that will make people dance, alone or in groups; and the people there for the music will put the players on a Garcia-like pedestal. All of this was true once again. A nice touch was the light show going on behind the band. Remember those? A guy was running a loop of pulsating colors and Dead logos through his laptop, into a little projector and onto the wall. Back in the '60s, the light show guys actually used to mix colored oils on slides and put them under projectors, or something. It was more holistic and less high tech, but the results were the same. Much better than a soundless TV showing sports, anyway.


